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Meret/ Man Ray

by Go As DeatH

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Solarized 02:24
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about

A conceptual noise album considering Meret Oppenheim's impact on art history, her amazing body of work and contributions to the field of Assemblage, and the contentious relationship between her and Emmanuel Radnitzky (aka Man Ray).

Oppenheim's achievements are often relegated to the role of muse or inspiration for male artists such as Man Ray and Picasso. Were Man Ray and Oppenheim merely artist and model? Or was the relationship more nuanced and more involved with collaboration (on Oppenheim's end) than is usually credited?

Meret Oppenheim's "Object (Luncheon in Fur)" remains the quintessential Surrealist sculpture, and the artist deserves to be honored and remembered for the stamp that she herself made on the evolution of aesthetics and artistic thought in the 1930s and beyond. Muse or more? Meret/ Man Ray.

credits

released February 1, 2024

Noise recording/mixing/arranging by John McVay.
Artwork by Meret Oppenheim and Man Ray.

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about

Go As DeatH Las Vegas, Nevada

Go As DeatH is cassette tape/effects pedal-based Harsh Noise/Death Industrial from Las Vegas.

Horror, nihilism, control, and consumerism are cut-up, looped, rearranged, and repeated.

Go As DeatH plus a few side projects and collabs.

All works by John McVay & co.
*photo by Maria (@madredeluz IG) ✌🏻
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